The ISU Grand Prix begins today with Skate America, live from Kent, WA. I have a vested interest in this year’s competition series: I know one of the competitors!
Gracie Gold, 2012 U.S. Junior National Champion, will be competing at Skate Canada and at the Rostelecom Cup (Cup of Russia). We both began at my home rink, although she now trains in the Chicago area. She’s worked extremely hard and sacrificed a lot, with the full support of her parents and twin sister Carly (also a very talented competitive skater!), and we’re all very proud of her.
Good luck, Gracie!
Watching skating for me is both entertaining and feeds my own attempts. There’s no way in hell I’ll ever get to the elite level. As you can tell by my repeated posts about it, I do enjoy it even if I kind of suck. I like to copy what I can, which given my limited technical ability, isn’t much.
I couldn’t do a sport that didn’t have creativity at its heart, and skating does. Putting together my latest program always starts with the following elements, which are very close to how I construct a story.
I only pick music that speaks to me. Since I’m an adult skater, my coach doesn’t choose it. Only once has that happened, and she picked Schindler’s List, which is John Williams so I can live with that. It has to have an emotional component, which I also seek in story subject matter. The music is the idea, the basis for a skating program.
Your idea is what you’ll build your story on. The possibilities are endless—true love, the zombie apocalypse, a trip to another world, or any combination thereof.
Here’s something I skated to (I had to cut it for time):
Each movement communicates the idea or mood to the audience. For the somber “I Could Have Done More” from Schindler’s List, I used long, slow strokes and smooth movements to express sadness and regret. Jumps by their very nature are explosive. But you can temper them with the surrounding elements and connecting moves. For “Dance of the Witches,” in the above link, I used taps, turns, and hops to reflect the more lively music.
In writing, fast-paced action sequences call for short, staccato words. Longer sentences and phrasing fit stream-of-consciousness passages and introspection. Words are how a writer shows movement and mood, the way choreography shows it in dance and skating. That’s one way different arts share similar elements.
Admit it—you like to see what they’re wearing. I know I do; the costumes are one of the reasons I always wanted to skate!
Dark colors impart a serious or melancholy feel, but so can very delicate colors if they’re muted. Sparkles? Yes, I like them. If you’re not careful, an excess looks too flashy for a conservative program. Costumes are rarely literal, but a jazzy number may have fringe or long gloves, while classical music lends itself to flowing, poetic fabrics.
I make my own dresses to save money. Costumes are the cover on my little two-minute book. Okay, I haven’t tested Adult Bronze level yet, so technically it’s only 1:50. Sue me!
Four kinds of music used in competitive programs that you tend to see each skating season:
- Exotic (usually Spanish, sometimes tribal, Celtic or global stuff)
I’m almost at the point where I can tell by the costume what kind of music I’m going to hear. And skaters recycle music like nobody’s business. There are certain pieces that just lend themselves to skating, with variation in tempo and crescendo, and give skaters a lot of room for interpretation. The genre dictates the program, the costume, and everything else.
Show programs, like the ones you see at the final exhibitions or in ice shows, are flashier, looser, and less serious. Comedy is always welcome. Evgeni Plusheko, three-time Olympic medalist, skated a good example in 2006:
The general writing equivalents would probably be:
You have to know into what genre your idea fits. This will color the way you write it, and determine the way it’s marketed. There are certain standard plot elements in genre fiction also, and although readers like a fresh approach, they still expect the basics.
Check your local listings for the Grand Prix series, which airs on NBC through December 9. Below, see a schedule someone was nice enough to post online. Thanks, Heather Winfield!